Released via Donkela, the AfroTech track “Yeki” brings together veteran French producer Hanna Haïs and South African artists Thandi Draai and Nana Atta in a transcontinental collaboration that blends emotive vocals with electronic precision.

The single is now available on Beatport and Spotify, with a broader release on Apple Music and iTunes scheduled for 8 August 2025. “Yeki” means “Don’t Leave Me” in Zulu, setting the tone for a track that foregrounds emotional depth through layered production and vocal performances.

At the core of “Yeki” is a collaboration that spans geographies and artistic backgrounds. Hanna Haïs began the track by composing the vocal melody and developing the instrumental base, which she then shared with Thandi Draai. Draai worked closely with vocalist Nana Atta on writing and recording the lyrics. The final production was shaped by Haïs and completed with a professional mix and master.

The result is a radio-friendly AfroTech track with a distinctive hook. As Haïs explains, “This is an emotional track. I came up with the melody and passed it on to Thandi, and she brought in Nana. They really brought the song to life through the vocal textures.” The voices of both vocalists form a central feature of the production, with Haïs noting that they stood out most during the mixing process.

Thandi Draai, known for her work as a producer, songwriter, vocalist and DJ, has built a reputation as one of South Africa’s rising creative forces. She was the first woman of colour in the country to release a fully self-made EP, and her recent AfroTech compilation with Get Physical in Germany has gained wide international attention. Draai’s sound is often described as unapologetically African Techno, merging local influence with international appeal.

Nana Atta, whose real name is Sinenhlanhla Mthembu, is a vocalist from Verulam, near Durban North in KwaZulu-Natal. With early mentorship from producers such as Lastee and Tellaman, she developed her artistic identity from an early age, eventually signing with Universal Music Group. Her lyrics often reflect personal growth and healing. In her own words:

 “Let go of the pain, let go of the stress, let go of disappointment… Let go of everything or anyone that no longer has your best interests at heart.”

“Yeki” was produced using a MacBook Pro with Ableton Live and Arturia plugins, and finalised using an SSL soundcard and Yamaha monitors. The track continues the sonic signature that Haïs has developed over her career, fusing deep house roots with Afro rhythms. She notes that the song also introduces a visual direction:

 “I really like the artwork. We’ll continue with this style for the upcoming Donkela releases.”

Donkela, the label behind the release, is Haïs’ own imprint, focused on Afro House and AfroTech. In recent years, it has served as a platform for her independent vision, combining creative control with curated collaborations. The label has gained attention through releases like Sitting Bull, Carthago, and Angeke, and aims to spotlight Afro-inspired sounds within the broader electronic music spectrum.

As part of her upcoming projects, Hanna Haïs is working on two additional tracks — one in collaboration with Detroit house veteran Alton Miller, and another solo production. Both are expected to follow the aesthetic and musical direction introduced in Yeki and her recent output on Donkela and MoBlack Records.

This release adds to Haïs’ 25-year trajectory as an artist who has consistently evolved her craft. From her beginnings as a soul vocalist to her transition into DJing and production, she has remained committed to creating music that resonates across borders. Her connection to South Africa and its artists continues to be a vital influence.

“Yeki” is now available on all major platforms, with the full rollout continuing in August.

Hanna Haïs discography is on Spotify as well as Thandi Draai and Nana Atta and more information about the artists can be found in their Instagram @hannahaisparis, @thandidraai, @i_nana_atta, and the label @donkelamusic.