With over two decades behind the decks, Brooklyn-based DJ and producer Eliezer is making serious waves with his new label, Chicken Town. Originally from Tel Aviv, Eliezer is carving out a unique space in the electronic underground, known for his deep, emotional productions that blend indie dance, dark disco, and deep house. We sat down with him to talk music, raves, and fish carpaccio. If he’s not on your radar yet, it’s time to get familiar.
Artist name and location?
Eliezer – Brooklyn, New York.
Introduce yourself in one paragraph:
I’m Eliezer, a DJ, producer, and founder of Chicken Town – a label and event series rooted in underground dance culture. With over 20 years behind the decks and in the studio, my work blends deep, emotional textures with raw energy, often drawing from dark disco, indie dance, deep house, and techno. I’ve performed across Europe, Mexico, and the U.S., always aiming to create cinematic, heartfelt moments on the dancefloor.
Were you connected with music from a young age, or anyone in particular inspired you?
Absolutely – music was always present. My dad and uncles all played guitar and bass, so rhythm and instruments were a part of daily life. Later, the underground scenes of post-punk, Manchester acid, Detroit techno, Chicago house, and early raves shaped my sonic palette.
What first kickstarted your musical career?
A teenage obsession with vinyl and throwing DIY basement parties. That rush of creative freedom became my compass.
Tell us more about your sound and how it has evolved.
I began with post-punk, EBM, and minimal wave moods, then layered in the warmth of deep house, the propulsion of techno, and psychedelic disco trippiness. It’s moody, dynamic, and meant to move both body and mind.
Any words you want to share to encourage other artists and producers?
Listen to yourself before anything else. Take the time to find your own sound – something that feels authentic to you, not just what’s trending. Above all, enjoy the journey – that’s where the magic really lives.
Networking, consistency, character, approach… what and how do you initiate your industry relationships?
By showing up, being genuine, sharing your music, and supporting others. It’s a slow burn, but it builds real connections.
Is there anyone specific you’d like to thank that has helped you evolve and why?
My friends, my family, my kids – and everyone who may have been hurt along the way but still chose to love me. Growth isn’t a straight line, and their patience and support made all the difference.
Name 3 albums or labels that have inspired you the most.
Power, Corruption & Lies by New Order, Surfer Rosa by Pixies, and Closer by Joy Division. These records taught me about the emotional weight of rhythm and honesty in music.
What’s your favourite piece of studio equipment or software?
My Roland Juno synth and my suite of Soundtoys plugins – endlessly inspiring tools for texture and warmth.
Name your favourite club or festival in the world, and how does it make you feel?
Kaputt in Colombia – that place gets it right on every level: sound, vibe, freedom. Playing there feels like home.
Name an outlandish rider request?
I landed in Medellín, Colombia, got caught in heavy rain before my set, and was coming down with a cold. All I wanted backstage was a plate of fish carpaccio and a glass of wine. They pushed the set back so I could rest and brought me vitamin C. It wasn’t flashy, but it felt like five-star care.
Favourite clubbing memory, who or what did it involve?
There are a few that really stayed with me: playing Kaputt in Bogotá – the vibe was flawless. Then there was the warmth and wildness of Lazy Sundays in Guadalajara, where the crowd felt like family. And I still think about Garage in Paris – a venue that no longer exists, but left a mark on me. Some places just imprint themselves on your senses.
What quote represents you best?
“Embrace the chaos, find the groove.”
If you could play any venue, where would it be and why?
One night at The Blitz in London and CBGB – both iconic, raw, and full of cultural energy. It’s about the spirit more than the sound system.
One song you really couldn’t live without?
“Rock ‘n’ Roll Suicide” – David Bowie.
Name drop your favourite tunes, artists or DJs (past or present):
Erol Alkan, Roman Flügel, Fatboy Slim – each in their own way taught me that fun and depth can live in the same track.
What was your first music opportunity and how did it fuel your fire?
A messy basement gig in Tel Aviv that somehow became electric. It showed me that vibe beats perfection every time. And the techno rave in the forest – it was wild and naive at the same time, but full of heart.
Tell us more about your plans for the future.
New releases, deeper creative collaborations, expanding Chicken Town across borders, and eventually founding a club/space that blends sound, food, and community.
Any worldly advice you’d like to share?
Don’t push – listen to your core. The really good things come when they fit.
Don’t rush it. Build with intention, integrity, and soul – it’ll last so much longer.
Keep up to date with Eliezer here:
Chicken Town Records:
