Teru Okada, the acclaimed producer renowned for his innovative fusion of house, techno, and disco-inspired sounds, has released his latest single, Sakura Hallelujah, on January 28, 2024, via his independent label, Transparent Architecture Records.
Get To Know: Teru Okada
Introduce yourself:
I’m an independent artist in the Japanese countryside, juggling multiple musical identities and blending house, disco, hip-hop, and techno—like a one-person festival. With a background in music theory, computer science, and DJing, I craft dance music. When I’m not making beats, I’m immersed in art, literature, or running outside.
Were you connected with music from a young age, or anyone in particular inspired you?
My love for music started in the backseat of my parents’ car, where The Beatles, The Carpenters, and classical music were on constant rotation—whether I liked it or not. Safe to say, resisting a love for music wasn’t really an option.
What first kickstarted your musical career?
My musical journey began with a high school rap show—an ambitious debut fueled by passion and overconfidence. That spark led me to dancing, DJing, and eventually picking up guitar and keys to understand music theory.
Tell us a more about your sound and how it has evolved.
In the early 2000s, I was drawn to reggae and hip-hop, spending hours digging through record shops and rental CDs. Staying in the U.S. and Canada expanded my electronic music palette.
Any words you want to share to encourage other artists and producers?
I’m not one for dispensing sage advice, but I used to major in Law, Computer Science, and English, and working for various organisations. Oddly enough, all those experiences connect to what I do now and keep me humble. I suppose any background can blend into a unique style—kind of like a musical smoothie.
Networking, consistency, character, approach… what and how do you initiate your Industry relationships?
It’s about building relationships through shared passions and collaborations. I reach out to people or organisations whose work resonates with me, and I make it a point to engage in conversations that matter.
Is there anyone specific you’d like to thank that has helped you evolve and why?
There are too many people to thank, including friends, colleagues, collaborators, and community members, but my deepest gratitude goes to my family. Their unwavering support over the years has been invaluable, and I am forever grateful.
Name 3 albums or labels that have inspired you the most.
Defected, Beats in Space, Running Back
What’s your favourite piece of studio equipment or software?
Ableton Live
Name your favourite club or festival in the world, and how does it makes you feel?
We Out Here, Junction 2, and many other festivals and clubs are among my favorites. Music festivals and clubs are an integral part of my life, and makes me create music with the goal of playing it there myself.
Name an outlandish rider request?
Volvic water, coffee, and a sandwich—simple comforts that keep me going. Sake? No thanks. I’d rather drink dish soap.
Favourite clubbing memory, who or what did it involve?
MANUEL GOTTSCHING’s master piece tune “E2-E4” Solo Live Performance
at Metamorphose August 26,2006
I was working at food catering service at that moment so watched it for free.
What quote represents you best?
“Whenever you feel like criticizing anyone, just remember that all the people in this world haven’t had the advantages that you’ve had.” – The Great Gatsby by F. Scott Fitzgerald
If you could play any venue, where would it be and why?
Fabric. It’s one of the most authentic clubs, and I’ve been a huge fan of its mix series, especially Fabric 41 by Luciano.
One song you really couldn’t live without?
Sunshine (Kink Remix) / Unit 2
Name drop your favourite tunes, artists or DJs (past or present)
- “Mouth to Mouth” – Audion
- “The Man with the Red Face” – Laurent Garnier
- “The Sky Was Pink (Holden Remix)” – Nathan Fake
- “The Basement Is Burning” – Marquis Hawkes
- “The Shit Baby” – Omar S
- “Balagan” – Betoko
- “New Dawn” – Wata Igarashi
- “The Tropics” – Quantic
What was your first music opportunity and how did it fuel your fire?
My first regular gig as a DJ was back in 2005 in Tokyo. I played funk and disco, hoping to get the crowd moving—but at first, I was basically just the background music guy. Eventually, though, I started connecting with artists, industry pros, and even legendary guests, and before I knew it, my life had completely changed. That experience sparked my passion for music… At first, it was just a tiny spark, but now it’s a full-on fire.
This keeps the humor subtle while making the story engaging. Let me know if you want a different twist!
Tell us more about your plans for the future.
Through music production, I think and learn about many things. I will continue to reflect and create as I have always done. Additionally, I look forward to performing at clubs and festivals and meeting many people, particularly women.
Any worldly advice you’d like to share?
it’s simple—All you need is love… and a decent Wi-Fi connection.
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Listen to more of Teru Okada
Spotify | Apple Music | Bandcamp | Beatport
